Week 29 – I finished the final touches for the next set of four paper mache creatures! The new winter spirits have little, articulate arms, which took a while to figure out : ). The photoshoot took ages, but the super simple, new set-up is proofing to be faster than the light tent.
Writing and renovation are crawling along, but overall, I feel this week was an achievement. There is an end in sight for the external painting, which took ridiculously long … I think I started over three years ago … ouch. Well, I hope to achieve 98% completion in February – 2% are reserved for the too-hard bucket.
So … things got done.
Art(work): Final touches and photoshoot for four paper mache creatures – one listed on esty and felt.
Week 28 – I took a well-deserved rest this week … if I say so myself. Not so much a holiday but a quiet time at home … well, with some external painting and some garden projects. It also gave me some time to consider the next steps; I decided to work on some new paintings on recycled wood next week, and finish the next set of paper mache creatures.
Week 25 – I made better progress this week … with a bit of cheating; this post is two days late, and I ‘finished’ the four new paper mache creatures yesterday :). All four still need the final touches and varnish. The white ones are awaiting further detailing, and I keep changing their feet – stripes or no stripes seems to be the questions and which colours to choose.
I finally completed my course work and final project for the Domestika course Illustration Techniques to Unlock your Creativity. Nothing I am super proud of other than the fact that I completed all the exercises with stubborn resilience no matter the often clumsy results.
Bigger sketchbook (A4 might be a good size)
Heavier paper (200+ for water work)
Concentrate less on a presentable outcome and more on trying new things
A reminder that monoprints, stencils and collages as fun.
A reminder that I am most comfortable with fluid acrylics, but I can see the usefulness of the techniques discussed in the course for work that is scanned and printed or used as a base for digital illustrations.
Summary: Back to basics can be helpful. Not all the techniques worked for me, but my main aim was to loosen my tight ‘produce, produce, produce’ knot and to rediscover that making art should be fun :).
So … onwards and upwards. Again.
Art(work): Completed course work for one online course, ‘finished’ four paper mache creatures, shipped new orders.
Promotion and social media: Ah well … shame on me, I guess.
Editing and rewrites: 4481 words – approx. 890 words per day … better than last week … still under the 1000 words per day / 5 days a week target.
Renovation: Exterior paint – The undercoat for the whole eastern wall is done (with lots of help from my partner this week). Yay! The gasmeter has been moved.
Garden: Little brick patio is done, and work on the little wood block patio has started.
Week 25 – Things are better but not quite back on track, and the dreaded half time marker has been reached. In short, there is a need for more focus on the artwork part – everything else is going okay-ish. There is no way around the fact that I wanted to be in a different place by now. But that said, I don’t feel discouraged. The ‘things need more time as planned’ mantra is more true than ever, as is ‘I am no longer 20 … or 30 … or even 40’ … skies, when did that happen?
Art(work): Progress on my sketchbook experiments, including monoprints using paper cuts and inkwork with nib brushes and bamboo pens.
Promotion and social media: Ah well … shame on me, I guess.
Editing and rewrites: 3961 words – approx. 790 words per day … better than last week but still under the 1000 words per day / 5 days a week target.
Renovation: Exterior paint – The underside of the eaves are now blood red 🙂 – took three coats of paint and a lot of cursing.
Garden: built the brick edging for the mini seating patio next to the deck and more paving.
Week 25 – Ah well … the renovations did get way too much attention last week (again … grrr … totally my own fault). The writing and my artwork took second place, and things slipped behind schedule … so, let’s say I’ll do better next week.
Art(work): More progress on more paper mache work, but a bit behind schedule
Promotion and social media: A well … let’s say I’ll do better next week.
Editing and rewrites: 2857 words – approx. 570 words per day … oops … again, I’ll do better next week.
Renovation: Exterior paint – The trim and the eaves got two coats of white paint.
Garden: moved 1,5 cubic meter of crushed lime from the street to the section (not an easy feat in Wellington), started compacting the lime around the boardwalk and the beds, started paving the mini seating patio next to the deck.
Week 24 – Summer had a short stop-over in Wellington. The city beaches were packed, and I enjoyed a cool bath at princess bay – one of my favourite south coast beaches.
For now, things are back on track, and more paper mache work is in progress.
Hopefully, the first set of four creature will be ready for a photo shoot next week.
Art(work): More sketching and progress on more paper mache work
Promotion and social media: A bit more targeted efforts this week … . I will concentrate on Instagram and Pinterest for now.
Editing and rewrites: 5236 words – approx. 1000 words per day (and 150 more than last week … one needs to celebrate the small wins)
Renovation: Exterior paint – The priming along the eastern wall is more or less completed.
Garden: ‘boardwalk’ in Section 3 is prepared for gravel, two new mini beds are planted (grasses and succulents along the ‘boardwalk’), started to level area for new mini seating patio next to the deck.
Week 23 – goodbye 2020, hello 2021 … I guess. While covid-19 rampages through the rest of the world, we sit here on our island and are complaining about a cold and wet summer … it feels – not so much wrong, but strange; like drifting further and further away from everything else.
The halfway point of my one-year sabbatical is coming closer, and there is no denying that at the end of 2020 ‘things’ started to slip through my fingers – so new year, new – or a timely adjusted – plan.
What will be different: I decided to revert to a Monday to Sunday schedule on my sprint plan. Wednesday did work to a point, but Wednesdays turned into Thursdays, Thursdays turned Fridays, etc. So, new plan – Monday and Sunday stand-ups (with myself as the only participant :P) and Sunday blog posts.
So stay, tuned …
Art(work): Sketching and start on new paper mache tribe
Promotion and social media: random efforts at best …
Editing and rewrites: 5086 words – approx. 1000 words per day
Renovation: Exterior paint – 2-meter gap-filling and priming along the eastern wall, Interior paint – prep and painting in the living room (ceiling 50% done).
Garden – a new bed planted (letters and herbs), surface levelling in preparation for ‘boardwalk’, start on ‘boardwalk’.
Week 20 – 2020 is nearing its end – nobody could have foreseen what the fates would throw at us at the start of this year, and I think most of us feel like good riddance. The last orders are shipped and, as I write this post-Xmas, the public holidays are more or less done, and New Zealand prepares itself for the summer break.
Only there is no summer really … instead, we are huddling in front of the wood burner! Ah well, the sun is supposed to return next week.
Week 19 – Ratty and Mole-she moved into their new home so I can show you some pictures. The brief for the custom order was to create Ratty and Mole plush sculptures based on the characters in The Wind in the Willows – only Mole is a Mole-she.
On all other fronts, the sprint plan remains red – it will require a reshuffle for the coming year … ¯\_(ツ)_/¯.
The good: I have finished the editing and rewrites of two more chapters or 6321 words last week. After my neighbour’s builder for the retaining wall and fence along our sections did not show up for about three months, I got a young landscaping business to step in and do the deed. The retaining wall is up, and the fence palings are installed as I write this post. Let’s hope it will last.
Skills learnt this week: How to repair a water blaster when it does not start up … flush any trapped air in the system!
Week 18 – Resilience is one of my favourite English words. I remember using it as a mantra when I first arrived in New Zealand and found seemingly insurmountable obstacles around every corner.
resilience | rɪˈzɪlɪəns | noun [mass noun] 1 – the capacity to recover quickly from difficulties; toughness 2 – the ability of a substance or object to spring back into shape; elasticity
For me, resilience doesn’t mean to toughen up and move on whatever life throws at you, but to take the road less travelled while keeping your authenticity and integrity – a sense a staying true to oneself.
Now, based on the Science of Storytelling by Will Storr, we are all biased, tribal barbarians unable, or at least struggling, to change. I would not dismiss his notion any day and thoroughly enjoyed the book, a must-read for writers of any genre; however, the arguments in the book around how our brains resist to review long-held believes and support the tendency to retreat into a narrow group of like-minded people, is a timely reminder that there is a long-known and fatal flaw in how social media enable and emphasises our pre-programmed behavioural deficits. Combined with Chuck Wendig’s Wanderers, my reading / listening week was equally filled with doom and gloom and food for the mind and made me want to shut-up and write.
Not that much writing happened.
The list of excuses is very long. There are good excuses and bad excuses, but all excuses are in vain, and resilience is required given a now completely red sprint board … #ouch.
The good: I am super happy with my two custom order soft sculptures (photos to come soon), and I keep my fingers crossed that the customer is satisfied with her purchases. More paper mache creatures are sold and shipped, and on days I don’t need to worry about money or waste my time by being upset and helpless in lieu of insurmountable stupidity, I feel incredibly fortunate and privileged in the here and now.
Skills learnt this week: Not so much a skill but what you might call experiences as in the sense of stuff you never wanted to know, and, in particular, how your local council can decide that something infringes on your rights but has no adverse effect on you without so much as due diligence – who needs a survey plan when you can use google maps, eh? Neither do they feel the need to consult or notifying you about their decision … so beware when a digger arrives out of the blue on your neighbour’s property … #sigh.
So … breath in … calm, beautiful thoughts … release … breath in … resilience oooohhhhhmmmm resilience … release … repeat.
Week 17 – I used to love watching George Clarke’s Renovation Man TV shows on Youtube. For those of you that do as well, you’ll remember the dark-night-of-the-soul moments when all seems to conspire against our heroes: tears are flowing, tools are thrown against walls, and the world as a whole is ending in the staged reality TV format we all like to live through vicariously. This is about the point my renovations have reached.
My evil neighbours turn out to have previously unknown, unsurmountable villain superpowers, and all is lost. So the hero of this little venture spent week 17 crying and cursing and in utter misery, until a moment of enlightenment after she sent a text containing an f-word to the said evil neighbour and started shouting at a builder.
A shortlist of epiphanies:
1 – You don’t send texts containing the f-word – or the c-word, or the b-word – to your neighbour. You reserve these word for conversations with your friends – people that you love and that get you and are members of your universe in general and your tribe in particular.
2 – You don’t shout at random people either – again you do that with people that share the same universe as you do … and maybe a select few members of your family.
3 – In troubled times, you need to be extra kind to yourself and the people that are close to you. They love you, you love them, and they are not the enemy.
4 – Even with all the Serenity, Courage, and Wisdom combined, life will throw you in a river of shit from time to time, and you will need to paddle to keep your head above the water.
Being upset and drowning in self-pity takes a lot of time, so I better run now and start to concentrate on the things that really matter … like making two stuffed heroes that I am sure will live in a very lovely and kind home and very seldom encounter super villains too big to topple.
Skills learnt this week: Not so much a skill but the realisation that I am human with all the flaws, rough edges and pain that condition entails.
So let’s hope this is as bad as things get and mistress fate throws in a few silver linings!
Week 16 – More of the garden beds are completed, the second apple tree is planted as are the guava and blue berry bushes and the few rhubarb plants that survived the resettlement process – who would have thought rhubarb is so fickle? Other than that … I have to admit my sprint plan looks quite red #blush.
My only consolation is that the builder that is supposed to built the retaining wall and fence seems to be in hiding … I don’t think anything is going to happen there this side of the holidays.
I am now tracking the process on the book in greater detail and I only managed to edit 3732 words 40% of the weekly target … #ouch.
New skill learnt last week: installing weathered steel edging around garden beds and carving a reed or bamboo pen.
So far, my experience with the courses on domestika.org is positive, and I have subscribed to another Adolfo Serra class. My sketchbook experiments are progressing and I re-discovered that I hate don’t like watercolour pens – the only exception might be the black one – but love ink and dips or fountain pens. I am not 100% sold on the water brushes I bought, but they are a much cheaper and – in my opinion – a better alternative to the watercolour pens. To my surprise, I am not opposed to the use of oil pastels.
This week, I am planing to move on to mono prints, stencils, and paper cut-outs. If this week is more productive than week 16 … ah well … ¯\_(ツ)_/¯ I guess.
Week 15 – The first apple tree is planted! Somehow, planting a tree is quite different from any other planting – it feels a bit like gaining a new friend. Let’s hope it takes roots and is happy despite the bitter winds and wet weather. The weather in Wellington is horrid in all seasons – we only have two seasons anyway – miserably cold, wet, windy and dark; and plain cold, wet, and windy. Both seasons, however, feature a few random, glorious but scorching sunny days, so life for fruit trees and humans can be challenging.
New skill learnt last week: building a brick garden wall. Other than progress on the renovations inside and out, I completed the review of Part 2 of my book project – only another five to go! A new paper mache creature is listed – The Dawn Flyer #1 – a few sales are trickling in, and my sketchbook is brimming with new ideas and techniques. So same same but different, I guess.
Week 14 – The renovations and my writing still take up most of my time and focus. But, things do progress in other ways as well. To get back into illustration and printmaking, I returned to my sketchbooks and tried a course on Domestika – Illustration Techniques to Unlock your Creativity – a course by Adolfo Serra. So far, it’s helping me to loosen the tight springs in my chest that scream for me to produce, produce, produce, and instead makes me play with colours and shapes in various techniques.
Sketching straight onto paper in ink – no pencil or eraser allowed – frees a lot of energy, and revisiting long dismissed tools – watercolour pens, pencils, or brushes – works against getting cemented into familiar grounds.
The framing around the new glass door is stripped from layers of old paint and shines in rimu again (nail borer holes and all).
Two raised beds are planted, and the foundation for my garden wall project is laid. Just in time, the weather has turned to bucket rain mixed with icy Southerlies ripping through my new planting wreaking havoc through my seedlings and most other plants …
Week 13 – It’s November, and that is a tiny bit frightening. But, things are moving in too many directions to count, and that is something, I guess.
I am still in recovery mode from last week’s printmaking crisis, but the studio inventory allowed me to look back and find some lost treasures. Amongst them are four prints of one of my favourite Afternoon Tea edition – The Donkey. They are listed in my studio sale on felt as are many other prints that I found in folders and drawers :).
The first sales have come from unexpected directions reminding me that to get your work in front of as many people in as many ways and places possible is essential.
Due to said crisis in the arts, writing took first place last week. I am grateful to be able to switch between two very different creative forms – if I get stuck in one, I can switch to the other following the ‘A change is as good as a rest’ principle. It comes with risking to lose focus, but anybody who can sit in front of a computer and write for more than four hours a day has my admiration.
At the moment, I can work through roughly 1,500 words a day in editor-mode (included are the odd missing paragraph and details that I skipped in the last draft). The draft currently stands at 166,000 words. I have reviewed about 26,000 so fa, which leaves me with 140,000 to go. Taking expected and unexpected gaps into account, I am looking at about 120 days until I have a draft I feel comfortable sharing … finger crossed.
Helpful in that matter is the bad weather that keeps me safely tugged away indoors rather than digging backwards and forwards through the garden … having said this, the tomatoes and beans have outgrown their pots (as have all the other new and old plant waiting on my front deck to spread their roots) and I took advantage of the occasional sunny day and installed the new stairs down the deck and built two raised beds from recycled wood.
And did I mention that I ripped out a hallway door to make space for the second-hand glass door that is leaning against the living room wall since a month? Or two. Or three.
Week 12 – Failures, except for the occasional, epic, and most likely embarrassing fail captured on oh-so-(not)-funny visual bites on Youtube, are not part of most Pinterest and Instagram compatible snapshots of our daily lives. Failure, however, constituted most of last week’s printmaking endeavours.
Printmaking is a finicky muse to follow – one day the prints might flow of the press on pristine paper with not an ink smudge in sight. Still, most days end in you and your studio covered in ink and ripped paper and misery and the question why am I doing this if it would be so easy to just send some digital files to a local Giclée printing service and be done with it?
Looking back to last week, I can see that I set myself up to fail, and I thought I share some of the insights with you. Remember that you are always your worst enemy!
Consider why you want to print a specific design and what the desired outcome is
Choose a technique that matches the look and feel you have in mind
Choose a technique that can produce the size you have in mind
Choose a technique that can achieve the colour pallet you have in mind
Choose a technique that aligns with your powers of patience
Align your expectations with the budgets, resources, and environment you are working in
(optional) Ignore the outcome of points above and do it anyway … one never knows.
1 – Consider why you want to print a specific design and what the desired outcome is
Looking back, I can see that I did this all for the wrong reasons – I don’t have the mind-space for printmaking at the moment. What I tried to do is start printing a new series of illustrations while already producing a sellable outcome. Not. Going. To. Happen.
I haven’t printed an edition I am proud of since the Wolf and the Fox exhibition in December 2012. The very few prints I have published in the last eight years are okay-ish but nothing that puts a smile on my face years later. I need time to get into a new printmaking routine in a now smaller studio set-up with left-over, dried-up inks and blunt cutting tools. It’s not going to happen overnight, or in a week, or even in a month.
2 – Choose a technique that matches the look and feel you have in mind.
I am aiming for a look and feel – and size – that is not compatible with the techniques I am using to achieve that look. Using drypoint to create even areas of flat colour won’t work. Using collagraphy or woodcuts to produce a detailed, precise line drawing won’t work either. I achieved a compromise in the 2010 Fragile Shadows series by combining drypoint with woodcut, but that is not what I am after for the new series.
3 – Choose a technique that can produce the size you have in mind
I want big. In the past, I printed mostly on an eight’s sheet (just under A4). A nice size, but I want bigger. Traditional printmaking techniques do not scale above a certain size (or only with a mammoth effort). Woodcut and lino might be an exception, but, for what I have in mind, screen printing seems the better option. So, forcing anything else won’t work.
4 – Choose a technique that can achieve the colour pallet you have in mind
I am only after three colours. Reduction cuts and multi-plate printing will do the trick, but do I have the resilience and stamina for this at this stage? No.
5 – Choose a technique that aligns with your powers of patience
I have none. Which is strange, because I don’t mind twiddling with a series of paper mache creatures for over a year where each creature takes at least two weeks to complete. So, if you get stuck and impatient, something is not right with either what you are doing, why you are doing it, or how you go about it.
6 – Align your expectation with the budget, resources, and environment you are working in
Remember that you are always your worst enemy – and your worst client. Managing expectation in relation to budget, timeline, resources, and work environment is my favourite mantra with my consulting clients, so what does that mean in my art context? It. Is. The. Same. Thing.
Some printmaking techniques – Intaglio and screen printing for once – require access to a printing studio or investments to set one up at home. I am lucky to have a printing press and a small screen printing set-up; however, I haven’t used screen printing in a very long time.
I need to inventory of my printing materials, tools, and inks. After no investments to speak of for the last ten years, I need to see where I am, research new methods – I doubt that I still need the mercury light stored somewhere in the attic to expose photo emulsions on screens? Do I need to expose photo emulsions on screens? I hate that stuff. And that dried up emulsion won’t come off the screens either … – restock and replace materials – in New Zealand that means ordering from overseas when it comes to anything not widely used in schools or universities – and, in short, make another evil masterplan.
Until such times, I will make an inventory of my print edition archive and organise an online studio sale. And maybe complete an old edition or two … for practice or some such thing.
7 – (optional) Ignore the outcome of points above and do it anyway …
This may sound flippant, but I mean it. Going to the print studio to experiment and test boundaries is maybe the best approach to printmaking (and maybe to any other art project that takes your fancy). The outcome might not be what you head in mind but even better. Or you fail. And restart. And fail. And restart all over.
Week 11 – It turns out Wednesdays are actually good for something – I tried various schedules for my weekly art sprints*, and, strangely enough, Wednesday is the least threatening day to stand-up and review the sprint plan.
Scrutinising success and failures on a Monday takes the wind out of my sails, and moving the review to Fridays feels like dooming the weekend. (Yes, artist and self-employed creatives and makers should have time to recuperate and recharge batteries like other beings! Doing so on weekends might help to stay in touch with family and friends.) So midweek is a good pivot point to look back on what I achieved and to look forward to what should be done next.
Wednesday is also my blog day so that fits well. So, what happened in week 11?
And I refined some ideas for a new series of prints and paintings, and some of the sketches comes along nicely – to soon to share sorry!
The bad is that I even though I rekindled my printmaking ventures, my first attempt on a collagraph in years failed spectacularly. I was unable to buy the right materials in Wellington, and cutting corners just does not work in printmaking! Having said this, collagraphy might not be the right technique for the style I have in mind, so further experiments will be conducted.
A spell of stormy days seemed to invigorate the review of Part 2 of my book project. After running in circles for weeks, the last restructure seems to work – touch wood – and the progress has been made.
Renovations are still focused on the outside. The weather did not allow much progress and to motivate further digging and landscaping, I went and bought a carload of plants. And it wasn’t even on a Wednesday.
*) Sprint is a term borrowed from the Scrum Agile productivity framework. You break each project into short, repeatable phases with a list of tasks to be completed – I usually prefer to work with weeks.
I also took photos of my new studio for promotional material. I had to carefully select angles seeing that the new studio – the whole house!!! – is still an incredible mess suffering under the dozens of half-finished projects.
I did not even make it through the first chapters of Part 2 without an existential crisis. I moved one scene back into Part 1, and I still struggle to make the scenes work and flow with each other in a nice rhythm. How has anybody ever finished a book?
I also fine-tuned my art(work) sprint board. I based it on a tool I developed for my team at work, and I find it helpful to keep me on track. It might help other artist and makers as well, and I’ll add it to my list of tutorials.
After a week of sunny spring days, it’s cold and wet again, and the work in the garden is on hold. I am working on a plant list for the fruit tree and scrubs for my fruit forest. I had no idea how complicated it is to select two different varieties of apple trees that benefit each other. A visit to a nursery is on the list for next weekend.
So progress has been made, and my evil master plan is if not on track at least in the making.
Week 9 – October has truly arrived. Time to think about Xmas sales – okay its already too late really, but better now than never. My Etsy shop is up and running again with one more listing this week – the first Night Keeper – and I decided to reopen my felt.co.nz shop this week. Available will be the new paper mache works, and I have started an inventory of my print editions to list some of my older printmaking work as well … with a bit of luck, new prints will be available as well.
I am still tweaking my photoshoot and editing set-up – the slightly different white tones in the back are driving me crazy.
The restructure of Part 2 of my book project is completed and I now go through the scenes with my fine editor eyes … the German writing in English editor eyes … ah well.
The landscaping work in the garden, I can do myself is progressing, but as everything else too too too slow. The raised bed need to be in place for planting this month … not very realistic, so maybe I’ll cheat with buying some bigger plants.
So … overall same same with timelines getting very tight, so time to NOT PANIC! Or maybe a little bit?
Week 8 – I can’t believe we are already heading into October! I continued to fine-tuning my photoshoot set-up – with mixed results – and both the first Night Flyer and Forest Keeper are listed on my etsy shop.
Overall, I feel I am moving in the right direction – my head is full of ideas, and a few might even be feasible. It’s hard not to get sidetracked by the fact that I am already two months into my twelve-month sabbatical – things will take time to grow and take root.
Even though the builder still can’t commit to a start date for the retaining wall, the landscaping work in the garden is progressing, and I can’t wait to built and plant the new raised beds.
The writing is crawling forwards. I have struggled with two scenes in part two for over a year now and finally given in and allowed my internal editor to rip them apart and merge what is needed into other scenes and deleted the rest.
For October, I plan to complete more paper mache sculptures, as well as somehow rekindle my printmaking – I have an idea where to start – and complete the final draft for Part 2.
Week 7 has brought the first new listing on Etsy since forever. I managed to finish the first paper mache sculpture – the Heart Keeper, a member of my Winter paper mache tribe – and the first photo shoot with the new set-up went well.
I sieved what must be tons of earth, and the garden is now officially a construction place. The builder called today to tell me that they now won’t start before the end of October. … Well, it’s not that there aren’t a million other things to do.
I am still fiddling with how to focus my time and efforts best… concentrating on one goal per week seems to work well, and this blog series keeps me on track. With all the work on the garden and the exterior going on, the weather has a say in my daily routine as well.
Good news arrived from Germany – my application to take on dual citizenship was granted, and I now can apply for the New Zealand citizenship without losing my German citizenship. The process took over 16 months, and I had almost given up.
In week 6, I untangled the structural issues in Chapters 6 to 9 – at least I hope I did – and my latest editing cycle can move forwards. I am not even looking at the last chapter for the time being; there are dozens of chapters to comb through before I need to make a final decision anyways.
The paper mache tribe, on the other hand, is at the stage where progress might seem slow – there is not much to show – but is made. Working with homemade paper mache clay without drying agents takes time. Each layer needs to be completely dry before you move to the next. Otherwise, you risk soaking through the structural layers, and your little creature will ‘meltdown’.
The renovations on house and garden are still taking up too much time, energy and mind space. It just seems impossible for me to slow down and leave things be and concentrate on my artwork.
The last light well is done – all three skylights are brilliant and definitely worth all the trouble. The kitchen and the bathroom are now flooded with light and almost unrecognisable. They are also the only two habitable spaces in a world of chaos.
I needed to move on to the front garden, and to moving and sifting tons of earth to prepare over forty metres (!) of section boundary before the builder can start work on the retaining wall and fence. I don’t get on with my neighbours on that side at all, which makes the process fraud with conflict and tensions and the costs have skyrocketed. Let’s hope that good fences make good neighbours, eh?
Week 5 finally brought some progress on the paper mache tribe strategy. I selected my favourite shapes – and the most feasible ones – from the prototypes and started on a line of creatures for my online shops.
I also adjusted my paper mache clay recipes to work better for the now taller creatures (which I will add to the blog shortly).
Taking and editing pictures with the iPad works quite well and saves a lot of time that would otherwise be taken up by struggling with memory chips – my SLR doesn’t have Wifi or Bluetooth – and Photoshop. How To Take Product Photography At Home With A Smartphone by shopify.co.nz is a useful tutorial – it prevented me ordering a new fancy lightbox and camera.
The last light well for the skylight in the kitchen is almost done. For a time, the renovation work will focus on the garden (even so the interiors still match a construction place more than a home). The new retaining wall is about two times the budgeted costs mainly because the neighbour insisted on a fence along the whole length … ah well, the joy of compromise.
The first three chapters of my book are through the latest review cycle – I am sure it wont be the last one – but I am pretty much stuck on the draft for the last part. There is no way to force these thing top happen, so I’ll take it day by day.
(Art)work is available
(Art)work is not for sale.
(Art)work is sold.